The Man in 119, the latest collection from accomplished poet Kazim Ali, explores loss and absence alongside the human body and the natural world. Here, the tongue becomes a collaboration between human and glacial current—the self, a "tectonic topography of god." Grappling with questions of mortality in the wake of his mother's passing, Ali asks where we go when we leave this world: "earth or sky or memory only." With musicality, these poems build a space for contemplation, offering vignettes of various individuals, memories, and geographies. We learn that in migration, the body moves, reproduces itself through the experience of losing and living still.
In Pyrrhic Symphony, the speaker asks, "Should a poem be the pill or the pharmacy?" And the book replies: Why not both? It ails and wails, blooms and wilts, but always breathes, just as anyone reading this does. Part siren songs, part torch songs, Pyrrhic Symphony sings wry lullabies for apocalypses public, personal, and politic, moving from cruise ships to Krakatoa, from a dentist's office to a marriage as it explores how love, family, community, and art can function in the face of an increasingly hostile climate. And in lamenting how "all I ever wanted from love / was that it never change," the feverish speaker goes toe-to-toe with the nurse who watches over him as they encounter and recount a world of late capitalist excess. By turns ecstatic and demonic, tender and terrifying, Pyrrhic Symphony stands as an act of musical witness and cautious hope in this age of corrupted wonder.
Admission/Cost: $17
Location:
Warwick's
7812 Girard Ave
La Jolla, CA
Thursday, December 3 - 7:30 PM
